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End-of-winter distractions…

A new camera
Looking back through my photos from the last 2 or 3 years recently.  I was struck by two things: a complete lack of consistency in style as I tried out iPhone apps and b&w conversion techniques, and that the images from my Fuji X-E1 stood out as being far superior to any others I’ve taken in recent years. The problem with the X-E1 is that it’s a bit too big to put in a coat pocket (particularly with the 35mm f1.4 on – the best of the two lenses I have), and the auto-focus is a bit too slow to catch my daughter in action – plus, of course, the iPhone is just too convenient (though it makes decent images in the right conditions). So I bought a Fuji X100T and, so far, I’m very pleased: the images have that Fuji X series feel, I like the 23mm lens, and it’s more pocketable than the X-E1. It’s prompted a splurge of photo-making, mostly Down By The River, and made me think more about the consistency of my black and white processing. Now I just need to remember to put it in my coat pocket, and resist the convenience of the iPhone.

One thing I’ve noticed over the last couple of years is that the better the cameras get, the less I need – or feel inclined – to make significant adjustments to the files during post-processing; I’m no longer using film simulations, and the sliders don’t move so far from the middle. Maybe I should write something about how I do it sometime; at the very least it might help me remember in the future.

Music and books, etc
Surface Tension continues to draw me in and reveal new sounds and textures.
The Handsome Family at St Giles’ Church were amusing, dark and good company.
– I’ve loved Magnus Mills’ work since The Restraint Of Beasts, and I enjoyed A Cruel Bird Came to the Nest and Looked In very much, even if I wouldn’t (quite) put it in a Magnus Mill Top 3.