Now listening: ‘The Land and the Garden’, Vic Mars

Tags

,

  Picked this up from the Clay Pipe Music stall at the Independent Label Market in Spitalfields in November without really knowing much about it – a limited edition, I found out later (for what that’s worth). I’m not wholly convinced by the whole ‘instrumental music about place’ thing, but everyone needs an angle and the music is lovely. It has the wooziness that I love in some of the work of the Memory Band, Sparklehorse, and so on.

Harty Ferry, Isle of Sheppey; November 2015

Tags

untitled-11

A freezing cold November trip to the Isle of Sheppey to collect a friend from a wedding. Lunch in Whitstable seemed like a good plan, but took nearly as long to reach from the furthest tip of Sheppey as it would have done from Charlton. Harty Ferry would have provided a more direct route; sadly it closed in 1914, though you can still see the slipway (above). I’d like to go back and spend some more time exploring Sheppey’s Dickensian marshland landscape sometime – preferably on a slightly warmer day.

More Bert Jansch re-issues

Tags

, ,

Very pleased to hear that Earth Recordings are re-issuing one of my favourite Bert Jansch albums (and didn’t I plead for someone to do that just a few weeks ago…?) in February next year:

And they’ve also recently re-issued Jansch’s Moonshine on picture disc (the picture being a fairly horrible jolly Albion, folk-music-overtaken-by-CAMRA style of country pub scene; not one for the living room walls). Not my favourite album of his, but does feature a spirited version of The First Time Ever I Saw Your Face, which avoids turning into a dirge, unlike many interpretations of that song.

Now playing: ‘The Individualism of Gil Evans’

Tags

,

  

The Individualism of Gil Evans:
terrible artwork, incredible album. I struggled for a long time to get into this kind of orchestrated jazz; then the light went on one day listening to one of the Gil Evans arranged Miles Davis albums. This one’s got it all (except Miles): tunes, tone, moods, the funk, and some incredibly intense drumming.

It’s an ideal candidate for a nice vinyl re-issue, though; this c.1974 copy misses some of the best tracks. So here it is in full on Spotify:

Time Out

Tags

, ,


I don’t really understand Time Out any more: why can’t I find articles from the magazine on the website? Why are their gig listings so rubbish? Who’s it actually aimed at these days: half the articles seem to be written for a particularly cartoonish representation of the hipster, while the other half sneer at the same stereotype.  But it was still nice to see my band in a photo in last week’s issue, even if it was in the Property section…

I’m not sure our performance at the Overground Festival Vintage stage would have encouraged (nor discouraged, for that matter) people from moving to Upper Norwood, but it was a very pleasant event to play. Though I’m still none the wiser as to the difference between Upper Norwood and Crystal Palace.

Now Playing: Bert Jansch reissues

Tags

, ,

  
A good time for Bert Jansch reissues at the moment; and not just because autumn seems like the perfect time for listening to Jansch, Renbourn, and the fingerstyle folk guitar diaspora. Transatlantic Records are re-issuing early Bert Jansch albums and doing an excellent job of the re-mastering get: Bert and John in particular sounds deeper, clearer and crisper than previous versions.

The Earth label are on the case too, with Moonshine hopefully on its way to me in the post at the moment. 

Now will someone please re-issue Avocet on vinyl?

September Diversions

Tags

, , , , , , ,

September 2015: a particularly good month for conkers.

 

A month of wet weeks and surprisingly balmy weekends. A day trip to Whitstable saw unexpected high temperatures – ideal for oysters and fish’n’chips on the beach, followed by a walk to Tankerton and back.

 

Closer to home, the people behind the excellent Pelton Arms in Greenwich took over the White Swan in Charlton Village: a dismal pub turned pretty quickly into the best pub in the neighbourhood. I was lucky enough to get an invite to the soft launch evening, which seemed like a great success; there’d have been plenty of sore heads around SE7 the following morning.

After doing what felt like too many gigs with my band in June and July I swore we’d do no more than two a month for the rest of the year…then immediately agreed to three in a row in September. It proved worthwhile, though: a charity gig at my local; an amazing night at the White Swan with Simon Hanson from Squeeze depping on drums, and Glenn Tilbrook joining us for most of the second set on guitar and vocals; finally, a great night at the Pelton with a new sax player onboard.


I managed to spend more time than usual at Charlton Lido, with my daughter having swimming lessons there for the first time allowing me a quick ‘extra’ swim on Saturday mornings. One Sunday morning I achieved a life goal that’s been eluding me since the lido reopened in 2012: first into the pool. Swimming under a blue sky in a quiet, heated pool, with just a hint of a chill in the air: pretty much perfect conditions.

Summer holidays

Friday night, a semi-circumnavigation of the M25 and a night in a Holiday Inn. 
Saturday, the long slow drive to Cornwall and settling in to the camp site. More pylons. 
Sunday, a day on the beach and an invigorating (for which read ‘cold’) swim in St. Ives Bay.
Monday, the train to St. Ives and a look round the Tate followed by the Barbara Hepworth Sculpture Garden.

  
Tuesday, a walk along the beach to Hayle under grey skies, then ice cream.

Wednesday, pouring rain and a trip to Falmouth.  

Thursday, a whole day on the beach then a barbecue.

Friday, St. Michael’s Mount, pasty for lunch, cream team in the afternoon, fish’n’chips for tea. A swim in the lovely Hayle Outdoor Pool to mitigate the local diet. 
  
  
Saturday, a drive to Bristol, Richard Long at the Arnolfini, then a few glimpses of the balloon festival. 

Sunday, along the M4, around the M25, home, then a mile swum at Charlton Lido.