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NeilClasper

Tag Archives: Newcastle

Arriving in Newcastle from the north (Tyne Bridge Slight Return) – August 2018

11 Saturday Aug 2018

Posted by Neil Clasper in Diversions, Photography

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Central Station, Edinburgh Festival, Newcastle, Tyne bridge

Back in Newcastle for a night after a few very nice days in Edinburgh spent seeing friends and family, and taking in a very small amount of the Fringe. 4pm on a Saturday is not a bad time to leave Edinburgh: the train was quite quiet, and the passengers weren’t really the wrecked specimens you see retreating from the festival later in the month.

I would write a bit about the shows we saw, but they were mainly seen in a social way, and booked by other people. Another year we’ll fully engage in festival planning and pack our days with the full range of offerings. (I’m pretty sure I said that last year, though).

This year’s personal Edinburgh highlight was climbing Arthur’s Seat with my daughter on a perfect blue-skied Thursday morning. Just the right amount of difficulty to feel like a challenge without taking up a whole day, and more than enough to give us both a feeling of achievement.

The sun was shining on Tyneside as we pulled into Central station, lighting up the Tyne Bridge and Sage Gateshead; not the classic view of the bridges from the Quayside or looking east from the King Edward bridge, but distinctively Newcastle. Home, or A Home, anyway. Back to our other home tomorrow, sadly travelling by car rather than train.

The Tyne Bridge shot from the Millennium Bridge last weekend

‘About the North: Imagined Dialogues’ at Side Gallery, Newcastle-upon-Tyne

07 Tuesday Aug 2018

Posted by Neil Clasper in Diversions, Photography, Politics

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Brexit, County Durham, dawdon colliery, documentary photography, James sebright, John Davies, Newcastle, Nissan Sunderland, Side Gallery

I very much enjoyed a Saturday morning trip to see the Side Gallery’s ‘About the North: Imagined Dialogues’ exhibition, which brings together a range of work from AmberSide’s collection with that of other photographers’ work from across the North.

Amongst the old favourites (I’m always very happy to get up close to John Davies’s big prints – seeing his work in the Deutsche Bourse prize show at The Photographers’ Gallery some years ago remains a key trigger in how I have come to think about photography – and I still get a thrill from seeing Henri Cartier-Bresson’s photos from the North East), there was a good number of pictures I’d not seen before.

I particularly liked Simon Roberts’ Protestors occupy Leeds city council budget meeting, from 2011, which made me wonder how the contemporary photography of the Austerity era will look in 20 years’ time.

The show leans, perhaps unsurprisingly given AmberSide’s roots and location, slightly more to the north east than north west, though there’s representation of Merseyside beyond Martin Parr’s New Brighton photos. This felt refreshing – to me, anyway – in a context where media coverage of the Northern Powerhouse and recent Northern Tail travails have focused so much on Manchester and around.

The images that left the biggest impression were these below, amongst a few others printed large and pasted in the entrance way to the gallery. Until recently the juxtaposition of John Davies’ large format shot of the now long closed Dawdon colliery with James Sebright’s work in Nissan’s Sunderland car plant would have had a fairly simple reading: here is the old work of the north east, with its obvious environmental impact; and here are the new, high-tech jobs. But with politicians from both major parties pursuing a Brexit that would likely take the UK out of the Customs Union, and the likely devastating impact that that would have on all kinds of just-in-time manufacturing businesses, future perception of the second image starts to look somewhat different. What will documentary photos of the north east’s car manufacturing industry represent in 2, 5, or 10+ years’ time?

Between Christmas and New Year 2017

08 Monday Jan 2018

Posted by Neil Clasper in Diversions

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angel of the north, fenwicks Windows, Newcastle

A gentle tour of the north east between Christmas and New Year, not dashing about quite as manically as in some previous years.

Back to Newcastle (after a quick wander around on Christmas Eve) on Boxing Day for the sales and a look at Fenwick’s windows (best I can remember – animatronics have come on since the days when all the characters seemed to be based on the classic cobblers’ shop window model).

A look at the Tyne as the sun was going down:

A wander around Ouseburn on a sharp, bright morning.

A trip to the Angel of the North under cold blue skies:

A brief walk round Durham:

Then back to Newcastle, and genuine, real snow, the like of which we’d not seen for a long time.

A good break before heading back to London and a New Year’s weekend of playing guitar with the band.

A walk over the High Level and Swing Bridges: Newcastle to Gateshead and back – December 2017

26 Tuesday Dec 2017

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Fuji XT20, High Level bridge, Newcastle, north-east, swing bridge, tyne, Tyne bridge

A Christmas Eve stroll, before the rain arrived.

Grainger Market, Newcastle-upon-Tyne – Christmas Eve 2017

24 Sunday Dec 2017

Posted by Neil Clasper in Photography

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black and white, Fuji XT20, granger market, monochrome, Newcastle

The Grainger Market in Newcastle, winding down for Christmas. I hadn’t been in for 10+ years: nice to see a good mixture of old-fashioned, practical shops mixed with some newer borderline-hipster offerings; deeply depressing to see the foodbank and be reminded of where we are as a country at the end of 2017.

‘Childhoods’ at the Side Gallery, Newcastle – plus a short walk along the Quayside; October 2016

29 Saturday Oct 2016

Posted by Neil Clasper in Diversions, Photography

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childhoods, documentary photography, exhibitions, Fuji XT10, Newcastle, north-east, October, photography, quayside, Side Gallery, Tyneside

Side Gallery, Newcastle-upon-Tyne

A half-term trip to the North-East, and a chance for a quick visit to the newly re-opened Side Gallery in Newcastle-upon-Tyne. Their ‘Childhoods’ exhibition mixes work from the Amber archives (including Liisa-Sirkka Kontinnen and Chris Killip), newer projects from the North-East, plus contemporary work around the world, such as Kai Wiedenhöfer’s Syrian Collateral, to explore the experiences and lives of children in difficult circumstances. I found the whole show engrossing and, ultimately, quite heartbreaking.

It’s great to see the Side Gallery back, and in premises that their work deserves. Every town should have a Side Gallery-equivalent; we might understand this country a little better if they did.

Tyneside Seaside

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Newcastle Quayside; December 2015

07 Thursday Jan 2016

Posted by Neil Clasper in Down by the river, Photography

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baltic, bridges, christmas, Fuji X100T, gateshead, Newcastle, quayside, tyne

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After 36 hours of incessant rain, we woke to clear blue skies on the 27th of December. After a walk round a mostly-deserted Ouseburn, we headed down to the Quayside, enjoying the sunshine. By mid-morning people were streaming down to the riverside, released from two days indoors, and drawn by the gravitational pull of Tyne, bridges, and the Baltic gallery. We’d already visited the Baltic on Christmas Eve – enjoying the B. Wurz exhibition, feeling a little nonplussed by the other displays, being grateful for some excellent activities and books to read for our 5 year old – but it was still nice to poke our noses in briefly. Every walk needs a token purpose, at least.

Newcastle Central Station

27 Friday Dec 2013

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Newcastle, station

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